McCarthy has his ortho-editorial rules , he seems to have decided them from the beginning and has never changed them. As many know, he is allergic to quotation marks in dialogue . From here the result is a very recognizable and also, in a certain sense, inimitable author, precisely because of his peculiarity . Use typography as an element of storytelling McCarthy is an author who makes particular use of italics : for him it is an element of the narrative, in the sense that it participates in the story. We usually use italics for little-known foreign terms or to emphasize a word or to represent a dream.
McCarthy uses it to differentiate
parallel stories , sometimes – cf. The Dark Outside and No Country for Old Men . From here I think that every author should understand from their first publication what imprint to give to their narrative and maintain it. This does not mean not changing one’s writing, McCarthy’s has changed, even if it remains recognisable, but it means creating one’s own narrative rules , which Indonesia Mobile Number Database have nothing to do with grammatical ones, to be respected. Writing a novel takes time, but above all suffering In an old interview, regarding the fact that McCarthy preferred to write novels and not short stories, he said that it wasn’t worth writing anything that didn’t take years and that didn’t drive you to suicide.
I wouldn’t want to write a novel that
drives me to commit suicide. He used strong Switzerland Phone Number List words, but McCarthy is someone who writes in a raw way, who shows reality exactly as it is, in all its drama and inevitability. We can therefore learn this: that writing our novel must take the necessary time and must consume us inside, suck up our mental energies, exhaust our organism. Know the rules to subvert them I mentioned quotation marks in dialogue earlier – which other authors don’t use either. In some cases it was ), but in 10 novels it has never happened that I didn’t know who was talking. The changes of point of view are frequent.
